#BOARDROOM TALK speaker at CGA Belgrade 2025

Andrew is an experienced VFX Producer who began his career as a Runner working his way through the ranks to become a VFX Producer and part of a successful directing collective working mainly in Music Videos and Commercials. He spent more than a decade at the visual effects academy Escape Studios in London where he developed many courses and ran a series of University mentoring projects.

As a VFX Producer at Peerless, he worked on a number of A-list projects such as House of the Dragon, Interview with the Vampire (season 2), The Gentlemen, Canary Black, Culprits, Expend4bles.

This is his 4th visit to CGA Belgrade!

Branko is assisting professor at Faculty of Dramatic Arts where he teaches cinematography and photography at Camera department. His professional work as cinematographer is greatly influenced with research of VR, the area of his PhD studies. He is author of short film Ozone and actively works as DoP or camera assistant on international and Serbian feature and advertising projects.

Petar has dipped his toes in most areas of CGI ever since he got his first gig as a 3D artist in the early 2000s. For the past 15 years, he has been leading Crater up the steep hills of success, breezing through milestones with his sights already set on the one ahead. Endlessly ambitious, he is one of the few industry pioneers in the region and, as of 2017, a full-fledged VES member.

#KNOW HOW Speaker at CGA Belgrade 2025. 

Bogdan has vast experience in VFX production in multiple roles. Always driven by the thrill of new challenges, he combines his love for scripting and concept art to provide new creative solutions. He first entered the industry as a Compositing Artist, yet slowly made a turn to 3D VFX in Houdini. Besides leading his fellow artists at Crater, he also acts as a lecturer at the studio’s training center.

#KNOW ALL Speaker at CGA Belgrade 2025

Due to the fact he grew up with David Lynch movies and Chris Cunningham and Michel Gondry music videos, Ivan always balanced his creative mindset against his technical skills. This duality eventually led to the launch of his studio, Digital Asset Tailors, in 2012, after years of working at film and creative studios across Europe.